Archive for the ‘Lowrider Tattoo Studios’ Category
RUINED.
Thursday, March 18th, 2010
In the print studio we pull up some old found glass plates Tony’s been saving for years. Not letting it go to waste he decides to print them to reveal the images, the date and era of when they are taken is still unknown……..can you take a guess?





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HARA KIRI.
Saturday, March 13th, 2010
Danny came through to continue his collection….

Since we talked about discipline earlier, what always interested me about the Samurai culture was there level of commitment. Our modern day society structures individuals who pursue military to assume position in war, get paid and eventually go home to live their life. For the Samurai, war is life.

“Hara Kiri” ~ upper right sleeve, first session, oriental collection
Since death was a reality at any moment, the real Samurai’s learned to appreciate the basics–health, emotional, mental and spiritual well being, and dedicated themselves to serve the people.
…. doesn’t sound too bad……
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THE WATCHER.
Tuesday, March 9th, 2010
Progress…….

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OLD SCHOOL.
Monday, March 8th, 2010
Another history lesson for you. I took a stroll to see the old westside wise men~ Baby Ray , and his old friend Mike Pickel.


Pops had his hands full, so he invited me to check out what Mike was working on in the studio upstairs.

Responsible for Lowrider Magazine’s logo, countless car culture illustrations, murals on cars across the world, was and still is one of the original lowrider airbrushing craftsman, and a westside legend in pinstriping—Mike is the man.

Mike’s work focuses on the environment and the cars. In his era when alot of the Chicano figurative work and images like those mastered by Cartoon, and Abel started to revolutionize, Mike, as a whiteboy, stuck to his bones, treating the architecture and structure of the bombs in the same way. In his eyes, the beauty and finesse of the metal outweighed the women……at least in his paintings.

This is another situation where photos don’t do the image justice. Keep in mind everything is by hand, a mix of acrylic and watercolor airbrushing on classic illustration board.


Airbrushing-aside from flesh, blood, and body types- the precision and tedious process parallel tattooing. Mechanics and the state of the technical equipment can be a challenge to deal with, not to mention the direct accuracy, consistency, and level of focus each spray has to be delivered with, all under perfect control.

Mike went on to explain his experience back in the day, where lowriding was still a cultural tool to bring people together. For him, the memories of the diversity, lowriding with every homeboy, brothers, from all different colors, neighborhoods, and backgrounds is what keeps him going with these paintings.

But don’t get it twisted, aside from the love and passion his work can bring him, he’s still a serious professional, working in circulation for an upcoming gallery showing. While one is in motion another piece is begun, never letting the momentum stop.

Be sure to check out this recent cover illustration by Mike in the special collector’s edition of 38 Timez.


For the younger kids who gravitate toward “lowrider culture”, or ”Los Angeles culture“, or whatever “culture” it’s crucial to know and understand the roots behind all the visual elements that dictate what you see, what you wear…what you get tattooed… what music you gravitate towards, and everything else - and recognize the people responsible for creating them. It’s so easy to get sucked into the movement of media to miss the level of impact one individual, or one group of people’s creativity has on an entire generation, city, nation and world and the process that was taken to make it. If we can learn to actively dissect that process, instead of passively watching and waiting for something to happen, then we can recreate it. Advance yourselves.
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SOUND OF GOD.
Sunday, March 7th, 2010

Rafael came through to continue the collection……..
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THE KILL.
Friday, March 5th, 2010
Willie came through to continue his collection~lower right sleeve.

Unlike Western culture where snakes are looked in the negative, Eastern culture embraces the Symbol as noble, strong and ancient.

We took the freehand process, with a classic traditional Japanese influence and strangled it.

“Serpent” ~first session, oriental collection, lower right sleeve

As simple as ‘freehand’ tattooing might seem, the process that unfolds during any piece is different then your average stencil process. In this sense, the foundation you come from will ultimately determine your finish, and expose the choices you make to interpret the image.

Study, develop and apply.
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